Project

Stickley Tabouret - Part 2

You might be tempted to take your rough lumber straight down to its final dimensions in one shot.  Don’t give in to the temptation.  The rough plank that I used for this project had been sitting in my shop for years, but all of the blanks that I cut from it moved a bit.  After rough milling, I let them sit for a week, and then re-flattened, re-squared, and brought them down to final dimensions.

Mortise-and-tenon joints are done.  Notice that the shoulders are cut on the upper stretchers, as well.

They fit!

The lower stretchers are joined to the legs via mortise-and-tenon joints.  I started by cutting the mortises in the legs.  Since I would be cutting my tenons to fit my mortises, it wasn’t overly important for each mortise to be dead-on identical in size, but it was critical that each mortise be perfectly centered on each leg.  I ensured that each mortise was centered using careful layout, cut them on the router table, and squared up the mortises with a chisel.

For the tenons, my first step was to take all eight stretchers, both top and bottom, and cut the shoulders on each end using a miter gauge and a stop block on the taMble saw.  The top stretchers are joined to the legs with a half-blind dovetail, and it’s critical that the shoulder of the dovetail joint be identical to that of the tenons in order for the piece to go together properly.  With that task accomplished, I cut all four tenons on the lower stretchers using the dado stack.  My table saw setup yielded tenons that fit their mortises right off the saw for three of the joints, but one tenon was a bit too big and needed some tweaking.  I used my rabbeting block plane to adjust that tenon.  Irregardless of whether you use hand tools or power tools, I can’t stress enough how important it is that you cut your tenons to fit their mortises right off the saw.  Nothing good ever comes from messing with a square and centered tenon, and this situation was no different.  Once I got the final tenon fitted, I dry assembled all four joints and noticed that I had introduced a slight twist to that fourth tenon during the fitting process.  I was able to remove the twist with my trusty router plane, and a second dry assembly confirmed that all joints were square. (What?  You don’t own a router plane?  Seriously, go buy one now… they are insanely useful.  I’ll wait.)

Make sure that your saw cuts on the tails are square to the face of the stretcher.

With all of my tenons fitted, I moved on to the dovetail joints on the top stretchers.  In my experience, hand tools are truly the most efficient way to cut these joints.  Feeling nervous about cutting these by hand?  Don’t be.  The beauty of these joints is that no one will ever see them; it doesn’t matter what they look like.  I laid out my tails and cut to my lines.  Consistency wasn’t critical here since the sockets at the tops of the legs will be cut to match each tail individually… I just needed to focus on keeping my cuts square to the face of each workpiece.  I used a marking knife to transfer the layout to each leg, cut the walls of the sockets with a dovetail saw, and chopped the waste out with a chisel.  The trick to getting a consistent depth to each dovetail socket is the router plane (you did buy one, didn’t you?).  Boom, done!

The dovetail is a strong mechanical joint to attach the upper stretchers to the legs.

The next step is to perform a Vulcan mind-meld on my two sub-assemblies to bring them together.  That process involves two half-lap joints, but first I’ll need to make a short detour to shape the curves on the lower stretchers.  I’ll cover both of these processes in the next post.

Mortise-and-tenon and dovetail joints have been cut and fitted.

Editorial

Why?

When I’m in the shop and focused on my work, hours slip by in the blink of an eye.  I’m not thinking about what happened yesterday, nor am I worrying about tomorrow.  For a short time, I exist solely in the present, and I’m content.  Whatever your motivations, always make sure that the “what” that happens in your shop aligns with your “why.”  If it doesn’t, what’s the point?

Project

Stickley Tabouret - Part 1

The Stickley tabouret (also known as a “side table” to those of us who don’t wear fancy pants) has been in production for over one hundred years.  The picture above is a page from their 1909 catalog, where the Stickley 603 was available for the low low price of $3.75.  Allowing for inflation, that’s somewhere around $95 in 2015 dollars, which is still a fantastic bargain for a well-made piece of solid wood furniture.  Stickley still sells the 603 today, but I’m guessing they charge more than $95.  Maybe not; I didn’t ask.

I need a small side table to place between two reading chairs and I think this design is a great fit.  The 603 tabouret is 20 inches tall with a top diameter of 18 inches.  The 18 inch diameter top is the perfect size to fit between my two recliners, but 20 inches is a little low.  The Stickley 604 tea table has the same basic design, but stands 26 inches tall with a top diameter of 20 inches.  Judging from the catalog picture, the stretchers on the tea table have also been lengthened slightly to widen the stance of the taller table.  For my purposes, however, the tea table is too big.  The 20 inch diameter top is too wide, and the 26 inch height would put the table top too far above the armrests of my chairs.  I want the tabletop to sit just below the armrests to avoid whacking the edge of the table with my elbows.  After exhaustive research, I determined that a height of 23 inches is optimal for me to retrieve my glass of Dr Pepper comfortably, while minimizing the ever-present chance that I’ll spill it all over the place.  So, my tabouret will have an 18 inch diameter top and a height of 23 inches.  I guess my version of this table could be called a Stickley 603-1/2.

I was able to get most of the parts for the base out of this single 8/4 cherry offcut

Rough blanks for four legs, two upper stretchers, and two lower stretchers.

One of the things I love about the tabouret is how little material you need to build it.  I was able to get all four legs and the two top stretchers out of an 8/4 offcut of cherry that was taking up space on my lumber rack.  A few minutes of digging in my scrap bin yielded an additional piece just large enough to produce the two bottom stretchers.  I was even able to get all four legs with rift-sawn grain.  If you look at the end grain of a leg blank, a “rift sawn” grain pattern means that the growth rings run from corner-to-corner (i.e. diagonally).  This yields straight grain on all four sides of the leg.  If your rough stock is thick enough, you can carve your leg blanks out of it in any orientation necessary to achieve a rift sawn grain pattern.  In my case here, however, I had enough diagonal growth rings on both edges of the board to just rip the leg blanks straight out. I briefly toyed with the idea of widening the stance of my table slightly, but in the end, I opted to keep the stretchers the same length as the Stickley 603.  My rough stock just isn’t long enough to allow me to increase the size of the stretchers.  Sometimes you have to let your material dictate the size of your finished piece and, honestly, I don’t think increasing the height by 3 inches will impact the stability of the table in any significant way.

All the parts for the table base are rough milled and left to rest for several days before milling to final size.

I prefer to complete my milling in two steps: rough milling and finish milling.  I ripped the oversized leg and stretcher blanks out on the bandsaw and rough milled the parts to the point where they were flat, square, and slightly oversized in all dimensions.  Milling rough stock releases tension in the boards, which will often cause the blanks to warp or cup slightly, so I usually give them about a week to move around, and then I mill them flat and square to their final dimensions.  Next steps are finish milling and joinery.  Stay tuned!

Shop, Project

Dedicated Sharpening Station - Part 5 (Final)

I’ve been using my new sharpening station for about a month now.  It’s an enormous improvement over my previous process.  I hesitate to call the sharpening station “done,” however, because I suspect that it will evolve quite a bit over time.

The left-hand side of the station holds my grinder and sharpening stones.  I have two waterstones:  a 1000/4000 combination stone and an 8000 polishing stone.  I keep both soaking in water in their own dedicated plastic containers so they can be ready for use at a moments notice.  My flattening stone lives right next to the waterstones.  The two blue trays in the front are where I do my honing.  They do a good job at containing the bulk of the mess, and they have grippy rubber feet which keeps them from sliding around on the laminate surface.  Unfortunately, I don’t have a sink in my basement, so I just keep a one gallon jug of water nearby.

The center section is dedicated to storage.  The deep tool tray holds my honing jigs, oil, a spray bottle, and a few rags.  The shallow tray is for smaller items such as my angle gauges, a ruler, etc.  I also drilled a hole in the shallow tray to hold my burnisher.  I’d still like to get a few dedicated screwdrivers for disassembling my hand planes.  I’m shopping around for those; I left some space to drill a few additional holes in the shallow tray to hold them.

The right-hand side of the station is reserved for metal working.  Anything that could produce metal shavings or dust is done here; I don’t want small pieces of metal sprinkled on my primary workbench where they could damage my tools or a workpiece.  I mounted a machinist’s vise to the table, which has already proven it’s worth several times.

Some of you probably think that dedicating this much real estate to sharpening is a luxury or even a waste of space.  I disagree.  Having a convenient and efficient sharpening system improved my woodworking.  In fact, I can’t think of any other use for this cabinet that could rival the positive impact of a sharpening station.  If you don’t already have a dedicated sharpening station, I highly recommend carving out some space.

Editorial

Unplugged Summer

The one who follows the crowd will usually go no further than the crowd. The one who walks alone is likely to find himself in places no one has ever been before.
— Albert Einstein

I have a love / hate relationship with social media.  Using Twitter, Facebook, Google+, and Instagram is like being at a party where thousands of other people are talking, shouting, and cheering simultaneously.  It’s tons of fun, but after a while I need to retreat into the cool quiet darkness of my own thoughts to recover.  I wonder if this reaction differs between extroverts and introverts.  Extroverts tend to get energized by all the interaction on social networks, while introverts, who do enjoy the interaction, nevertheless need to back away at times to recharge their batteries.  At any rate, I like to unplug from social media every so often, and I’m in the middle of one of those periods right now.

I’ve found that these quiet periods tend to be my most creative and productive, almost as if all of the information and inspiration that I’ve cached finally gets a chance to organize itself in my brain and become something real in my shop.  I recommend periodically unplugging to all woodworkers, but I think new woodworkers can benefit the most.  A new woodworker today has a ridiculous number of resources available to learn the craft.  So many, in fact, that it can become overwhelming.  Learning from the internet is kind of like drinking from a firehose:  you get what you were looking for, but if you partake for too long, your eyeballs get driven into the back of your skull.  A more effective method is to gather information, and then unplug and put those new skills to work in the shop.

Internet content producers should unplug sometimes, also, just like everyone else.  Getting away from the online community, even for just a short time, helps to remind you why you started woodworking in the first place.  It wasn’t always about increasing follower counts, sponsors, likes, or re-tweets.  At one point, it was just you, alone in your shop, building things.  It’s nice to re-center yourself on that fact every once in a while. 

Summer is short here in the northern states, and while I may or may not be sitting in a lawn chair right now, soaking my feet in a kiddie pool, wearing sunblock on my nose and an umbrella hat, I’m not sitting idle.  My project list continues to grow and the priorities of those projects continue to change.  I’ll be starting construction on a side table in the next few days, I’m in the design phase on a coffee table, a small chest of drawers is lurking in the background, and I’m stealing time for my new tool cabinet any chance I get.  Unplugging isn’t a vacation… it’s a time to refocus.  But the siren song of podcasts, blog posts, memes, and funny cat videos grows ever louder; I think I’ll be plugging back in soon.